Can I Borrow A Feeling?
by THE DECLINE
beaugiejuice
beaugiejuice
Fucking really cool song. Makes me want to drink!
Favorite track: Treasure Island Was A Sausage Fest.
Patrick
mistascoot
Stefan Vögeli
Xago-Nel
MANISZEWSKI SANDY
Andreas Tepe
Nick Coutts
Chris Glover
Jonathan Nadeau
Nicolas Tanguay
Jack Spruce
Roundy
Ben Woodward
mrtcoool
Chris Steggall
Grahame Butler
Emily Gronow
Tim Kary
Steven Impson
Rama Ranson
somethingsmith
czechone
travis legge
Marc
Stefan Rompf
Glen MacKenzie
Lawrence Foster
Tim Hudson
Flatteblack
Jason
GeNOS
seb
Sean Polden
Jon Passmore
Nat Akmens
Akira Kurashige
Andrew Fry
Mozz Crehan
Joel Cabban
Brian White
Garrett
Paul Johnston
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Compact Disc (CD) + Digital AlbumRepackaged and repressed version of THE DECLINE’s “Can I Borrow A Feeling?” EP now features two bonus tracks “The Songs I’ll Never Write” and “Steubenville Rape City”. “Skatepunk with all the vigour, political steel and humour of NOFX or Frenzal Rhomb.”
Includes unlimited streaming of Can I Borrow A Feeling? via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 1 day$10 AUD or more
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
$7 AUD or more
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Yahweh Or The Highway
02:39
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Cool Kids Can't Die
03:22
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Jill & Tonic
03:30
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credits
released April 18, 2014
Produced by The Decline & Sam Christopher Allen
Tracked & Edited by Sam Christopher Allen @ Electric City Studios, North Fremantle in Feb 2014
Mixed & Mastered by Jay Maas @ Getaway Recording
Produced by The Decline & Sam Christopher Allen
Tracked & Edited by Sam Christopher Allen @ Electric City Studios, North Fremantle in Feb 2014
Mixed & Mastered by Jay Maas @ Getaway Recording
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license
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about
PEE RECORDS Adelaide, Australia
Independent DIY Punk / Hardcore label and zine
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Jun 2015
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- Track Name: Treasure Island Was A Sausage Fest
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The lazy-boy's your favourite place, to sit and learn about
the inner workings of the globe and the role of the spouse.
It suits you well that all we see, are two-line-jokes who barely shed any credibility for femininity.
The punch line will show you your place in life, on the stage and on the screen.
Cause every time that I turn on my TV my anger begins,
I’m smashing my radio: the millionaires are worse than My Wife & Kids.
Bart Simpson was right we need "more chicks on the bench”
And yesterday my best friend taught me that there’s nothing funny about double standards.
It’s worse than you think.
Another fucking role model who likes to reinforce
this diatribe of ignorance and the values we distort.
So take this pen and sign here see, something about this party just doesn’t seem much fun to me, a sausage party.
I'd like to know who told you so, who you're allowed to be.
Every time that I turn on my TV my anger begins,
I’m smashing my radio cause Fergie sucks more worse than According to Jim.
Bart Simpson was right we need "more chicks on the bench”
And yesterday my best friend taught me that there’s nothing funny yeah, my best friend told me that there's nothing funny...
I can sit here all day and debate,
I can argue with regression til my voice box fucking breaks,
So I'll stand alone, they jump the gun, a batting cage for conclusions
Cause they don't care, innocently unaware.
Every time that I turn on my TV my anger begins,
I’m smashing my radio cause Nicky sucks more than Two and a Half Men.
Bart Simpson was right we need "more chicks on the bench”
On black Thursday my best friend taught me that there’s nothing funny about double standards.
Cunt's F'd. - Track Name: Cool Kids Can't Die
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I've spent the past few months trying to comprehend
how a guy like me could do this and not even tell his friends,
I let this thing play on my mind for weeks and days
and made excuses for the choices that you made.
I met you once or twice in the basement at the shows,
I didn't know a thing about you man, or why you had to go
when you had so many friends, and people all around,
I know it don't mean shit when you're feeling that down.
In the song they play, for all of us,
this chorus, will finally come to an end
And it's permanent, just like what you leave behind,
you're out of sight, but not out of mind.
I know they'll carry it until their dying day,
how they should've seen it coming, a tragic teenage waste.
I let this thing play on my mind for months and weeks
and tried to understand just why you had to leave.
In the song they play, for all of us,
this chorus, will finally come to an end
And it's permanent, just like what you leave behind,
you're out of sight, but not out of mind
I'll never make another joke at my expense
about the empathy I'll never have in this fucking present tense.
there's a feeling of exhaustion when so many others tried,
yet not a simple explanation of what's on the other side.
You know that i met you once or twice in the basement at the shows,
I didn't know a thing about you man, or why you had to go.
They've got so many things, but they can't help breaking down,
you know it doesn't mean shit when you're not around.
In the song they play, for all of us,
this chorus, will finally come to an end
And it's permanent, just like what you leave behind,
you're out of sight, but not out of mind
You're not out of mine.
